Much thanks, Sam. Trying to expand the use of color lately.
This little sketch was inspired in part by a vague memory of Marcel Duchamp’s wonderful early portrait work — I distinctly remember several featuring ladies and flower-covered headwear.
Expressions are one of my real artistic weak points. The method by which the lower half of a face conveys emotion is still largely a mystery — so almost everything is conveyed through the set of the eyes.
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I like the bit of blue amongst the warmth, it adds a nice touch. I’m also fond of her expression as well, and how soft it all comes off.
(I also notice some french lately!)
Much thanks, Sam.
Trying to expand the use of color lately.
This little sketch was inspired in part by a vague memory of Marcel Duchamp’s wonderful early portrait work — I distinctly remember several featuring ladies and flower-covered headwear.
Expressions are one of my real artistic weak points. The method by which the lower half of a face conveys emotion is still largely a mystery — so almost everything is conveyed through the set of the eyes.
(More practice needed, clearly!
)
Of course
What are you talking about?? You’re expressions are wonderful (at least I think so).
I’ll have to look into Marcel when I have better internet access (Hotel Clerks are agressively suspicious — can’t say I blame them though).
You’re too kind.
I highly recommend Duchamp. His work turned the art world on its head in the early 20th century and still generates surprising conversations today. For example: this excellent New York Times article titled “Taking Jokes By Duchamp To Another Level of Art” by Sarah Boxer.